Possibly in the hope of finding a buyer, perriand shifted her project toward a wealthier public, offering a certain amount of comfort, with sliding windows onto the terrace a stretched velum over the open space to collect rainwater. for eighty years, the design was unrealized till it was built for the exhibit at fondation louis vuitton. it was perfectly sited at the foot of the stepped water feature at the fondation.
Without analyzing her drawings, i suspect perriand's design followed her mentor's proportioning system "le modulor". Le Corbusier developed the Modulor while jobless during WWII when crossing the Atlantic by boat. In the long tradition of Vitruvius, Leonardo da Vinci's Vitruvian Man, and Leon Battista Alberti, corbusier tried to uncover and apply mathematical proportions of the human body to improve the appearance and function of architecture. The system is based on human measurements, the double unit, the Fibonacci numbers, and the golden ratio and it was deployed at the Unite d'Habitation housing projects to regulate everything from concrete slab thicknesses, window mullions, arrangements, ceiling heights, railings, etc... to the exact millimeter.
When perriand came back from a stint in Japan and vietnam with a newborn daughter and asked to return to Corbusier's architecture studio, he replied, “I do not think it would be interesting, now that you’re a mother … to oblige you to be present in the atelier... On the other hand, I would be very happy if you could contribute to the practical structural aspects of the settings which are within your domain, that is to say the knack of a practical woman, talented and kind at the same time.” corbusier would ultimately have Perriand develop the compact modular kitchens for the acclaimed unite d'habitation Marseille project.
Original drawing |
Le modulor related to human activity |
Le modulor graphically represented |
unite d'habitation kitchen designed by perriand |
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